Faces & Places is a collection of contemporary instrumental pieces for string quintet inspired by people, places and memories. New music is released every week on Bandcamp until the complete album arrives on July 17. Listen, follow the project and support independent music directly.
Watch a preview from the album:
Watch all previews from the album on YouTube → View full preview playlist
Listen to the first pieces and follow the album as it unfolds.
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The album explores the fragile boundary between presence and recollection, where identities and landscapes emerge gradually through sound. Written for string quintet, the music moves between intimacy and distance, clarity and abstraction, forming a narrative shaped by perception rather than reality.
This is not a documentation of the past, but a reconstruction of how it feels to remember.
You can listen to the album on this page or support the project on Bandcamp:
▶︎ FACES & PLACES | Pilpil Music – Buy this album on Bandcamp and support the artist directly.
A journey through memory and perception. Short pieces forming a continuous narrative. Faces and places intertwined through time.
Credits
Release date: July 17, 2026
All music composed, orchestrated and produced by Pilpil Music using virtual string instruments (VSTs), arranged for string quintet.
Instrumentation: String quintet
Recorded and mixed by Pilpil Music Studios, Gorliz
Album concept and artistic direction: Pilpil Music
Visual design and illustrations: Pilpil Music
Stories Behind the Music
Explore the creative process behind some of the tracks from Faces & Places. These articles reveal how each piece was conceived, developed, and shaped into its final form:
Press & Reviews
Indie Boulevard by Anita Floa
“Twenty String Quintet Works Test the Limits of Memory on Pilpil Music’s Faces & Places”
August 17, 2026
Read the full album review on Indie Boulevard →
MainlyPiano by Kathy Parsons
Album Review: Faces & Places
August 31, 2026
“Combining lyrical melodies, expressive chamber textures and rich contemporary harmonies, the album invites listeners on a journey through remembrance, identity and transformation.”
Kathy Parsons highlights several individual pieces from the album, describing “Blue Room” and “Jellyfish Waltz” among her favorites. She concludes:
“If you’re looking for something kind of different, this one just might work! Check it out!”
Read the full review on MainlyPiano →
Classical Sleaze by Rob Pennock
“The composer has a very distinctive voice, which makes you want to hear more.”
September 23, 2026
Read the full album review on The Classical Source →